Worldly Desires (43min)
A couple escapes their family to look for a spiritual tree in the jungle. When the night falls, a song comes from somewhere. It speaks about an innocent idea of love and happiness and conveys a sense of guiltless freedom when being hot by love. The film is a little simulation of manners and dedicated to the memories of filmmaking in the jungle during the year 2001-2005.
Apichatpong Weerasethakul

Influenza (29min)
The film starts with a man named Cho Hyuk-Rae who has perched dangerously on top of the Han River Bridge. It is a sad picture of a man who has been caught unwittingly on a security camera. The camera continues to reveal the downward spiral of Cho and those of us who surround him. The real images shown through the camera keep on becoming more corrupted as the time goes by.
Bong Joon-Ho

www.whitelover.com (32min)
A director says, "Lights, Camera, Action!” and Hayan begins the sex scene with an actor. However, her underwear came into the camera, so a cinematographer calls, "Cut!" and all the staff are glancing her white underwear. Hayan, who was a star for a short time in porn films, left saying she would never take her clothes off for the camera again and will be casted for an art film. But the conditions on the set don’t meet with her expectations.
Park Kwang-Su

About Love (38min)
Kairat, a teacher of mathematics, accidentally meets Askar, along with whom he studied in university. Askar invites him to his home, where Kairat becomes acquainted with Togzhan, the wife of Askar. And he falls in love with her. Though this love was mutual, they couldn't step over the obstacles already made by their lives. Their emotions delayed. The script is based on the novel by Chekhov's About Love, Gooseberry.

Daf (40min)
Faeegh living in a village near the border with Iraq is a hawking player and has 3 wives and 11 children. He and his family make musical instrument, called Daf. Daf is the most famous Iranian instrument with a special site among Kurds and made from the sheepskin. They live in absolute poverty. This film is a combination of music and life and we enter into the life of this strange family.
Bahman Ghobadi

In Public (33min)
A fragmentary landscape for a little train station in a suburban area and a bus stop in a mining town. A lonely soldier in his heavy coat, a tired old man, a bubbly young lady, a punk, a woman waiting in the street... From all those different people in these unfamiliar places, we can feel the exhaustion of every life.
Jia Zhang Ke

A Letter from Hiroshima (37min)
Korean actress Kim Ho Jung receives a letter from Japanese director Suwa Nobuhiro. It says "I'm in Hiroshima working on a project, I would like to do with you. Please come to Hiroshima". She goes to Hiroshima but she couldn't meet him. waiting for him she visits Peace Memorial Hall and sees the images of war. Meanwhile, Suwa gives up this project and playing with his son in Hiroshima.

The last completed essay film of Orson Welles, and the last of his features to be released during his lifetime (1979), this wonderfully candid, rarely screened account of the making of his first wholly independent feature offers a perfect introduction to that movie and to Welles’s “second” manner of moviemaking that was necessary once he parted company with the studios and mainstream media. Significantly, the only part of Othello we see and hear in its original form is from the opening sequence; everything else--usually shown silently with Welles’s narration--involves an intricate reediting of the original material. Whether he’s addressing us beside his moviola, delivering new versions of Shakespearean speeches, chatting with his old Irish friends and collaborators Micheal MacLiammoir (his Iago) and Hilton Edwards, or speaking to college students, Welles is at his spellbinding best.