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1961-1970 etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster
1961-1970 etiketine sahip kayıtlar gösteriliyor. Tüm kayıtları göster

Shakti Samanta - Isi Ka Naam Duniya Hai AKA This Is Called World (1962)


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Entranced by his second wife, mill worker Moti Ram ignores his two children, Asha and Ramesh. The neglected kids take off for Bombay, and Ram's distress causes him to lose his right hand in a mill accident. Moving to Bombay, he continues to search for his children, who face many difficulties in the city. Directed by Shakti Samanta, this poignant drama from India stars Ashok Kumar, Shyama, Mehmood and Sahira.

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Fernando Cerchio - Nefertiti, regina del Nilo aka Nefertiti, Queen of the Nile. (1961)


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Genre: Drama | History
Director:Fernando Cerchio
Runtime:Italy:106 min | USA:97 min
Country:Italy
Language:English
Color:Color (Eastmancolor)
Year :1961
Queen Of The Nile (1961)
Vincent Price delivers a deliciously sinister performance as an evil priest who hatches a plot to ensure the beautiful Nefertiti (Jeanne Crain) marries the pharaoh by imprisoning the young sculptor (Edmund Purdom) she truly loves. Romantic sword and sandal epic from Italy also stars Amedeo Nazzari, Liana Orfei. AKA: "Nefertiti, Queen of the Nile." 97 min. Soundtrack: English (dubbed). Dubbed in English.

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Jack Shea - The Monitors (1969)


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In an Orwellian dystopia of unknown date, an omnipotent army of suited, turtle-necked, bowler-hat clad overseers monitor citizens for illegal acts -- including sex, violence, politics and display of emotions -- in an effort to force peace on the world. Loudspeakers instruct that "The Monitors are your friends." Underground, a right-leaning resistance movement plots the overthrow.

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Jean Rollin - Le viol du vampire aka The Rape of the Vampire (1968)

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Three strangers arrive at a chateau inhabited by four women believed to be vampires. But are they vampires or are they under the hypnotic machinations of an old man? Rollin shot the first part of this film as a short subject to be billed with an American vampire film bought by a distributor that just over an hour (it too was designed for double billing). His producers were impressed with what he accomplished with next to nothing and asked him to expand the film to feature length. Thus, the first half hour (part one) is an intriguing short that makes the most of its found locations, make-shift production design, and available lighting (and a very early example of a turntable effect around two arguing actors to heighten the intensity of the scene). The second half (which necessitates resurrecting several of

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Nisan Hançer - Zagor Kara Korsanin Hazineleri AKA Zagor The Black Pirate's Treasure (1971)


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Zagor is an Italian fumetto hero created by editor and writer Sergio Bonelli (pseudonym Guido Nolitta) and artist Gallieno Ferri. Zagor was first published In Italy by Sergio Bonelli Editore in 1961. It's the most popular comic book since 1960's in Turkey. There are two unofficial Turkish Zagor adaptations. In this one Zagor with his sidekick Chico fand Digging Bill fights againist the evil Black Pirate. This movie was lost so many years until the last October. This's a remastered version by Horizon films.

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Yôji Yamada - Otoko wa tsurai yo: Boukyou hen aka Tora san 05 Runaway (1970)


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Tora-san believes he has a serious disease and returns to Hokkaido, his family's origin. He lives in the home of his uncle and sister, causing chaos and trouble as usual. He moves into a bean curd shop by chance and secretly loves Setsuko, the daughter of the shopkeeper who already has a lover. Will Tora-san be disappointed again?

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Richard Donner - Twinky (1969)


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In this 1969 romantic comedy-drama, a 38-year-old American porn novelist (Charles Bronson, in an offbeat, non-tough guy performance) living in London meets and falls for a 16-year-old nymphet named Twinky (Susan George). Before you can spell statutory, they get married and move to New York City -- and that's when their problems begin. Michael Craig, Honor Blackman, Jack Hawkins, Orson Bean and Kay Medford co-star. Richard Donner directs.

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Richard Quine - Hotel (1967)


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This is the story of the clock-like operations of a giant, big city New Orleans hotel. The ambitious yet loyal manager wrestles with the round-the-clock drama of its guests. A brazen sneak thief, who nightly relieves the guests of their property, is chased though the underground passages of the hotel. The big business power play for control and the thrilling crash of an elevator add to the excitement.

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Lance Comfort - The Painted Smile AKA Murder Can Be Deadly (1962)


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Jo Lake (Liz Fraser) and Mark Davies (Peter Reynolds), working the "outraged husband" racket, fall foul of the sinister Kleinie (Kenneth Griffith.) Jo, all for quitting, is persuaded by Mark to find one more victim before they leave and quit. She goes to the club where she operates and persuades a very-drunk young student, Tom (Tony Wickert), who has just won a hundred pounds, to go back to her flat. Mark, hiding there, hears footsteps mounting the stairs, but instead of Jo, the ugly, crippled Kleinie appears and coldly and callousy stabs Mark, leaving the body in Jo's bedroom. When she arrives with Tom, Kleinie phones and tells her to look in her bedroom. Jo tells Tom that the police will blame him and she persuades

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Yves Robert - Alexandre le bienheureux AKA Very Happy Alexander (1968)


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Alexandre has a happy life, living by himself with his dog. As the saying goes, ’Being a Bachelor is Being a Sultan’. He doesn’t have women to bother him, nor any other person to be responsible for. Some may consider him an anti-social person, as he likes to stay at home, relying on his dog to do his shopping. He meets up with his friends for a good time once in a while. One day he meets a girl he likes and decides to marry..."

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Yôji Yamada - Otoko wa tsurai yo AKA Tora San 1: Our Lovable Tramp (1969)


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Otoko wa tsurai yo (男はつらいよ, "It's tough being a man") is a Japanese film series starring Kiyoshi Atsumi as "Tora-san" (寅さん), a kind-hearted vagabond who is always unlucky in love. Spanning 48 installments (1969–95), it was considered by the Guinness Book of World Records to be the longest movie series in the world, although it was recently replaced by the Huang Fei-Hong series. All of the films (except episodes 3 and 4) were directed by Yoji Yamada, who also wrote all the screenplays.

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Ralph Nelson - Once a Thief (1965)


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Once a thief, always a thief. This is the sorry lot of Eddie (Alain Delon), an ex-convict who tries his best to go straight. He marries Kristine (Ann-Margret), who bears him a child. Seeking out a new start in San Francisco, Eddie is dogged by vengeful cop Vito (Van Heflin), who thinks that the ex-con shot him years earlier. Eddie is arrested by Vito for a crime committed by someone else. Though he is set free, he is unable to find work after the truth about his past is revealed. Kristine is forced to take a job in a strip joint (her costumes are frustratingly modest) to make ends meet, a fact that sends Eddie spiralling into a depression-and, ultimately one last caper, engineered by his brother (Jack Palance). The grim proceedings in Once a Thief were originally put down on paper by novelist Zekial Marko, who plays a small role in the screen version.

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Werner Klingler - Das Testament des Dr. Mabuse aka The Testament Of Dr Mabuse (1962)


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When a franchise has reached a certain point, it has to decide whether to reinvent itself or start all over again. The latter is exactly the case with The Testament of Dr. Mabuse, thirty years after Lang’s original. The usual line is to say that it is not up to Lang’s original, but that might make us miss something. Examined on its own, the film is a formulaic, though competently produced B-movie that has Mabuse-like crimes taking place again after many years. These years include those the evil doctor has spent in a mental hospital lost in some unreachable state of psychosis. That leaves the Inspector (Goldfinger’s Gert Frobe, under a different name than he was in Lang’s last film, The 1,000 Eyes of Dr. Mabuse reviewed elsewhere on this site). Who is committing the crimes then? What is the key to the criminals’ movements? How did they get access to Mabuse’s private information on how to pull off these crimes?

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Jean-Charles Dudrumet - Pleins feux sur Stanislas AKA Killer Spy (1965)


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This is the second film based on the character of Stanislas Dubois, a reluctant spy. The story begins with Stanislas getting a bad review for an autobiographical volume he has just published. Incensed, he goes off to track down the author to give him a black eye, and instead stumbles onto a ditzy blonde and a mortally wounded man who has the time to utter an enigmatic phrase, 'Thirteen coffins', before snuffing it. This entry in the series is a bit more slapdash than the first one, but it is still extremely entertaining (by 60s spy spoof standards) and contains some highly diverting fight scenes of the sort that became Marais's trademark at that period.

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Robert Asher - The Early Bird (1965)


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The Early Bird is the one where Norman Wisdom plays a Milkman.
Wisdom works for the Grimsdale Dairy, a small family run concern.
He uses a horse and cart as his float.
A large modern dairy then opens up and its milkmen start taking the same
round as Grimsdale's and this threatens the future of the small business.
Plenty of chaos before the two bosses come to an agreement at the end.

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Jack Smight - Kaleidoscope (1966)

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Romantic comedy which has Warren Beatty and Susannah York as a pair of amorous adventurers in the gambling places of London and the Riviera. Beatty is Barney Lincoln, a rambling gambling man who scores sensational wins at poker and chemin de fer because he has succeeded in marking the original plates for the backs of all the playing cards manufactured in a plant in Geneva and used in all the gambling joints in Europe. In his gambling depredation, Beatty is spotted by Angel McGinnis (York), the daughter of a Scotland Yard Inspector 'Manny' McGinnis (Clive Revill) on the lookout for a man to do a job. The inspector enlists Barney's help in playing poker with a shady London character whom Scotland Yard wants to force to financial ruin.

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Ronnie Baxter - Carry on Christmas (1969)


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When the "Carry On" British comedy film series reached its creative peak in the late 1960s, the producer decided to try the formula out on television with "Carry On Christmas" in 1969. The result was a parody of A Christmas Carol, with Sid James as Scrooge, but the show was even less plot-driven than the films themselves were. This, the best of the Carry On Christmas specials, is a great showcase of the crew's comedic talents. Terry Scott, Charles Hawtrey, Hattie Jacques, Barbara Windsor, Bernard Bresslaw, Peter Butterworth, and Frankie Howerd also star.

Producer Peter Rogers delivers a short introduction.

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René Clément - Che gioia vivere AKA The Joy of Living (1961)

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It was the second time Delon had teamed up with René Clément:their first collaboration produced a great thriller "purple noon" .The second attempt produced a would be comedy which is not funny at all.The plot deals with fascists in charge of finding the antifascist printing houses.It's repetitive ,ponderous and boring.Barbara Lass was then Roman Polanski's wife and they came to France together at the turning of the decade.Lass's moment of glory was short-lived but Polanski would direct a segment in "les plus belles escroqueries du monde" a couple of years later.

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Joshua Logan - Fanny (1961)


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Leslie Caron gets top billing and the lion share of screen time in "Fanny" but Maurice Chevalier steals the show from the first frame. Making its DVD debut, this 1961 film is based on the Tony-Award musical of the same name. Despite getting its start way back in 1954, the story is surprisingly risqué and contemporary, dealing with issues such as illegitimate children, premarital sex, cleavage and adultery. Because of Chevalier and the cast, those issues are presented in a jovial, comedic way until the third act, when the humor and levity the production is built on is jettisoned in favor of mediocre melodrama.

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Vittorio Cottafavi - Ercole alla conquista di Atlantide aka Hercules and the Captive Women (1961)


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Hercules (Reg Park) and King Androcles (Ettore Manni) are on an ocean expedition when Androcles is washed overboard during a storm near a mysterious island. Making landfall, Hercules finds that the island is the kingdom of Atlantis, ruled by a beautiful, cruel, and ambitious queen, Antinea (Fay Spain), who controls a mysterious source of power. She has transformed her personal guard into super-strong warriors -- each nearly a match for Hercules, put Androcles under her spell, and inflicted terrible wounds on her people, all in preparation for her plan to conquer the world. Hercules finds that her power stems from a source older than the gods on Olympus, one over which he has virtually no power. He must save his friend, release Antinea's people, and prevent her from carrying out her plans. ~ Bruce Eder, All Movie Guide

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