You wouldn't necessarily expect a romantic comedy starring legendary tenor Luciano Pavarotti to be perfect, and Yes, Giorgio (1982) certainly isn't, but it's far from the flop that is its reputation. The decision to find a movie vehicle for the greatest tenor in the world at that time made perfect business sense, and producer Peter Fetterman thought he might have found suitable material in a story by fellow British author Anne Piper. The plot revolved around a famous opera singer who loses his voice during a U.S. tour and ends up falling in love with the female American doctor who cures him. Nothing too dramatic, nothing to unduly stretch the acting chops of an untried Pavarotti, who would need to rely on his charm and charisma to make the leap to the big screen from the opera stage. Fortunately, Pavarotti had plenty of both.