The Atheism Tapes' is a series of one-on-one dialogs between Jonathan Miller and six acknowledged thinkers on the topic of belief and atheism. It follows 'Jonathan Miller's Brief History of Disbelief' which met with such critical acclaim and popularity that the BBC broke what was essentially an unspoken rule: Miller was allowed to create a second series from discussions cut from the first and air it within the same season. Each segment is dedicated to one discussion and is edited to a 30 minute duration.

Hasmet, director of love stories, wants to make a film with a "social content". He makes a deal with the producer Abdulkadir, yet the actress Mujde Ar doesn't accept the leading role, as Hasmet expected. Hasmet gives the role to Jeyan. He starts to shoot with a very limited budget. In the meantime the producer Abdulkadir cheats everyone and runs away. Jeyan fancies Tarcan, who is the leading actor, but Hasmet himself is interested in Jeyan. He first fires both of the out of jealousy, but rehires them out of necessity. With great difficulties, he finally finishes the film. However, nobody appears in the gala and the crew does not like the movie at all. Hasmet feels suicidal, but a phone call brings him back to life: a producer wants him to make a romantic movie - just what he is the master of!

Georg K. Glaser is a worker and writer. Quite literally. He spends the morning at his desk, from midday on he can be found at his workshop in the Parisian quarter Marais. There he produces bowls, lamps, vases, jugs and other metal work. He is proficient in metalworking techniques hardly anyone else can perform these days. Born 1910 near Worms, Glaser ran away from home at an early age and went traveling; he was placed in reform institutions and joined the Communists. In 1933 he went underground and escaped via Saarland to France. There he became a naturalized citizen, worked for the national railroads, was conscripted in 1939 and soon found himself in German

From Wikipedia::

Creating Rem Lezar is a children's musical film starring Jack Mulcahy, Jonathan Goch and Courtney Kernaghan. Released by Valley Studios in 1989 as a direct-to-video release.

The film was written, directed, produced and choreographed by Scott Zakarin, as well as having a starring role as "Vorock" the fear-mongering face and being the co-writer of the musical number's lyrics.

Thought of by some as the last truly great film of Jean Rollin's career, the 1982 feature La Morte Vivante (The Living Dead Girl) is a fascinating but flawed feature graced with two of the most unforgettable performances in all of Rollin's canon. A frustrating work brought to life by some of the most iconic imagery seen in a Rollin film, The Living Dead Girl is a simultaneously ferocious and poetic work deserving of its reputation as one of Rollin's most important films...

Part of a series in which foreign filmmakers portray a region or town in France. Otar Iosselani looks at the Basque region and its inhabitants.

"Two men break out of prison; a rival gang ambushes them. One is mortally wounded and tells the other, Mickey, to take him to the estate of a retired robber, Noel, who lives in comfort with his lovely and beloved wife, Nicole. The man dies, and Mickey, a menacing hothead, demands money of Noel. A few days later, Mickey returns to the estate, shoots up a dinner party and threatens them again. Noel sends Nicole to an hotel and goes to his old gang to help him hunt down the dangerous Mickey. Mickey has other problems, too, including heartache for a daughter he hardly knows. Young, eager cops tail Nicole, and all are on a complicated collision course."

In this sharp satire, famed Flemish provocateur and first-time director Jan Bucquoy pokes fun at Belgian provincialism by ruthlessly re-telling the autobiographical story of a clueless young bumpkin who tries to keep up with times but always manages to be a few frustrating steps behind -- something reflected by the decidedly dark and unglamorous settings in which he appears.

'Stars and Bars,' U.S. As Land of the Odd
By VINCENT CANBY
Published: March 18, 1988
LEAD: Toward the middle of ''Stars and Bars,'' Henderson Dores (Daniel Day-Lewis), a New York art-auction-house representative, arrives in Atlanta to register at one of those multi-story theme parks that are now the fashion in hotels in this country. The room clerk, smiling, gives Henderson his key and says, ''Follow the path through the atrium, then take the scenic elevator to the 35th floor.
Toward the middle of ''Stars and Bars,'' Henderson Dores (Daniel Day-Lewis), a New York art-auction-house representative, arrives in Atlanta to register at one of those multi-story theme parks that are now the fashion in hotels in this country. The room clerk, smiling, gives Henderson his key and says, ''Follow the path through the atrium, then take the scenic elevator to the 35th floor.''
It's another adventure for the impeccably tailored Henderson, an upper-middle-class Englishman for whom America is a coast-to-coast Disneyland. He makes his way through a man-made jungle of flora and chirping fauna to arrive at a boat landing. A smiling attendant greets him, draws up a canoe and directs him to paddle across to the elevator bank.

A fantastic cast - including Denis Lawson, Phyllis Logan, Maurice Denholm, Billie Whitelaw and Judy Parfitt in a moving tale ( Or a tale of moving) by the great Jack Rosenthal. Intelligent fun.

The Earl of Greystoke (Ralph Richardson, in his last film role) is none too pleased when his beloved son decides to take his wife to Africa for a year. But even the Earl could not have foreseen just what would befall the young couple: Their ship is wrecked, and the two are forced to create a makeshift home on the island where they have washed up. The two survivors soon become three when their son is born, but they do not long survive his birth. When the ape Kala, who is still grieving for her own dead child, discovers the human infant, she adopts him for her own. The infant heir of the Greystoke line thus grows up among the apes, believing himself one of them despite the strange whiteness of his skin, for which he is named Tarzan.

Aboard a ship late in the 19th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the clownish and superfluous Romano Patroni leaves his wife's opulent home to visit a spa where he falls in love with a Russian woman whose marriage is a horror. He pursues her into the Russian heartland and returns to Italy resolved to leave his wife and marry his love

John Pilger is an Australian journalist and documentary maker. One of only two to win Britain's Journalist of the Year Award twice, his documentaries have received academy awards in Britain and the US. Based in London, he is known for his polemical campaigning style: "Secretive power loathes journalists who do their job, who push back screens, peer behind façades, lift rocks. Opprobrium from on high is their badge of honour."

THE LAST DREAM John Pilger (1988)
A three-part documentary by award-winning journalist John Pilger on the history of Australia's development over the last two centuries.
THE LAST DREAM: HEROES UNSUNG
This first show examines the plight of the Aborigines whose land was stolen by British settlers and who are still seeking justice.

The American photographer W Eugene Smith (1918-78) is celebrated for his uniquely eloquent style of 'inside story' photojournalism, combining dramatic immediacy with compassionate engagement. This profile views Smith's 'heroic' achievements in relation to his complex personality. In the 1940s Smith was assigned by Life to cover the war in the Pacific, and his images from the US assault on Japanese resistance in the Saipan Mountains rank with the greatest war photographs. Smith's realization of the 'enemy as victim' and the message of universal human compassion shaped all his subsequent projects, and his vision is seen here as essentially religious, focusing on revelatory moments of pain, exhaustion, ordinary labour, anxiety and kindness. This film traces Smith's pursuit from the 1950s of an epic approach to photography, from the documentation of famine in Franco's Spain, to his coverage in 1971 of the Minamata mercury pollution incident in Japan, with which he felt his work had come full-circle.

An engineer and her lover travel to Morocco for his work on oil wells. While traveling there she has erotic adventures with residents of the area. But she ends up having an affair with someone who ends up betraying her and she murders the man

Couldn't find any synopsis in english.

Julieta y Pierre forman una pareja cuyo matrimonio va tan a la deriva como el de Mario y Silvia. Son muy amigos y a veces cenan juntos.Como consecuencia Mario se enamora de Julieta y Pierre de Silvia. Silvia está loca por tener un abrigo de visón y Pierre, como es su amante, se lo compra. Silvia lo esconde, para que Mario no se entere, pero éste, que es un truhán, lo descubre, se lo quita y se lo regala a su amante Julieta. Esto produce situaciones de enredo y vodevil, divertidas y eróticas.
Una de las más famosas comedias eróticas de la última etapa del director y productor Ignacio F. Iquino, que funcionó muy bien en taquilla. El conocido tema del intercambio de parejas cruzado con toques de enredo y vodevil, con Eva Lyberten, una de las actrices abanderadas del cine pseudoerótico de finales de los años 70.

]A married man has a weekend fling with a beautiful woman in Florida. He wants to leave his wife for her, but in the end they go their separate ways. Over the next 20 years, through their various relationships, they always think of each other, but have no idea where the other is. One day the man spots her picture on a book jacket, and sets out to track her down